Only through the examination of the history of one’s unconscious, Jung argued, could we hope to find genuine solutions to a person’s problems.





Jung’s “archetypes”, images and myths from humanity’s primal past, supposedly reconnected modern people to their historical and multi-cultural roots for purposes of healing.




He led the group until his death in 1972.The first to join the Yoshihara's movement were young artists, either former students of Yoshihara's or others whom he met at one of the numerous cultural events that had taken place in the Ashiya area during the postwar years.A number of small artistic groups and societies in the Ashiya region contributed to Gutai's success, supplying many of its members as well as its key ideas.Founded in 1952 and consisting of about fifteen members - including future Gutai luminaries Tanaka Atsuko and Saburõ Murakami - The Another group noted for its contribution to the movement's evolution was Gutai artists were strongly influenced by European and American artists of the day, particularly Gutai's founder also used his 1956 manifesto to herald his enthusiasm for the Sixteen artists took part in the group's first exhibition in Ohara Hall, Tokyo in October 1955. As such, it drew many European artists to major American cities. “The New York School.” Delivered 27 October, 1950, Mid-Western Conference of the College Art Association, University of Louisville, KY. Using primary sources such as interviews and essays, the author makes an argument for the ways in which Pollock’s work displays the movement’s heritage and aims.The paper concludes by arguing that Pollock’s technique embodied the autonomous attitude of Abstract Expressionism, and worked with the painting of contemporaries to make an antipolitical comment on modern times by suggesting a return to man’s primal past.

Clark, T.J. “In Defense of Abstract Expressionism.” Web.

It was America’s first original art form.

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Its young members explored new art forms combining performance, painting, and interactive environments, and realized an “international common ground” of experimental art through the worldwide reach of their exhibition and publication activities…

Jachec, Nancy.



"Now, interestingly, we find a contemporary beauty in the art and architecture of the past ravaged by the passage of time or natural disasters.
... was another important aspect of Gutai practice. In the 1950s modern Japanese art was dominated by the theme of Social Realism. The traces of Gutai ideas and expressions are seen in the western art as they were accepted with appreciation and praise.



Gutai Gutai means “concreteness” and was the name chosen by the painter Jiro Yoshihara for the group of artists he founded in Ashiya (near Osaka) in western Japan.

Fluxus was an international network of artists of the 1960s who worked in fields ranging from music to performance to the visual arts. His radically spontaneous method ensured a highly personal and unique result on each canvas, especially during the “allover” phase at the height of his career.

Our editors will review what you’ve submitted and determine whether to revise the article.The early Abstract Expressionists had two notable forerunners: The middle ground within Abstract Expressionism is represented by several varied styles, ranging from the more lyrical, delicate imagery and fluid shapes in paintings by Guston and Frankenthaler to the more clearly structured, forceful, almost calligraphic pictures of Motherwell and Gottlieb.The third and least emotionally expressive approach was that of Rothko, Newman, and Reinhardt. his artistic capabilities. Jung maintained that modern man had lost contact with himself because he was removed from his primitive roots. a label] of what they are to be looking for.”The main success of Jackson Pollock’s political communication of Abstract Expressionist ideals can be seen in his creation of art as a unifying factor of humanity, use of negation to make a personal statement, and belief that art was its own referent. Introduction by the directors of the Penrose Institute in the catalogue The Gutai Group 1955/56, TOKYO 1993, p. 11.

They contributed to the group's wider efforts to create and maintain an international network of similar-minded artists, and were also designed to engage audiences within and outside the art world.Gutai was one of the first modern movements to make works that actively involved the spectator, anticipating the more famous, technology-based interactive art from the 1960s onwards.

The process of damage or destruction is celebrated as a way of revealing the inner "life" of a given material or object:



Through awareness of ancient rituals, narratives, spirituality, and arts, rather than application of reason and the scientific method, he maintained that contemporary society could successfully cleanse itself of many problems that led to war, poverty, and crime.Jung’s ideas gained enormous popularity among the artists in New York.

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