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Stormzy raps, sings, brags, hurts and apologises with force throughout the album. Follow us on Facebook , or on Twitter @BBCNewsEnts . Thousands of people at Glastonbury were broadcast shouting “Fuck the government and fuck Boris [Johnson, UK prime minister]” during his performance of “Vossi Bop” this summer. ‘Heavy Is The Head’ also sees Stormzy wrestles with his place upon the throne. The problems of sustaining momentum, staying creatively relevant and dealing with the pressures of being in the spotlight aren’t easy to deal with. Stormzy – ‘Heavy Is The Head’ review: a broad-reaching, genre-buckling romp On his second album, Stormzy wants to do everything, all the time, better than everyone else. Known as #Merky Books, his imprint is publishing two to three books a year, starting with Stormzy's autobiography Rise Up. But he also reminds us that he is part of something biggerAnd, apparently, what Stormzy wants to do is… everything. Fame costs, and Stormzy’s been paying in insecurity.Such reflective and intimate moments abound, Stormzy himself describing his more Frank Ocean interludes thus: “I ain’t spitting anymore, I rap-glide”. No sooner has he announced his return amid horn fanfares on “Big Michael” than he’s lamenting “heavy is the head that wears the crown” on R&B piano ballad “Crown”. All the time. © 2020 NME is a member of the media division of It’s the same winning mix of grime bangers and radio friendly singing as last time, but, crucially, it’s better at making sure they work together on the same project. Get backstage sneak peeks, exclusive content and access to Clash Live events and a true view into our world as the fun and games unfold. “Lesson”, a jazzy loverman rap, is the heart of the album, detailing the end of a relationship with a partner who couldn’t take the limelight’s heat (his own long-term relationship with presenter and DJ Maya Jama ended this summer). With the current global concern surrounding Covid-19, we are closely monitoring the … ‘Heavy is the Head’’s eclectic audio texture gives every track a commanding crispness. It would be remiss of us to leave out from this review the line, Stormzy came out swinging for his second album – it’s big, it’s broad and it is mostly brilliant. The track appears to confirm rumors of the rapper’s infidelity to his radio presenter/model ex-girlfriend Maya Jama, and Stormzy spends the majority of the three minutes asking for forgiveness. The album is built around one-two punch combinations like this pairing.

It plays out in the Shakespearean reference in the album’s title, and the His phenomenal success and influence have compounded the pressure on his still-young shoulders—“How the hell did I buss so fast?” he asks on “Audacity.” For Stormzy, the remaining questions are existential: Is he comfortable with his status as a household name and figurehead? Besides, this timing wasn’t planned: The election was called just a matter of weeks ago. Follow Us. “Uneasy is the head that wears the crown”, wrote William Shakespeare. From there, the album goes deep on the issues that come with becoming “the voice of the young black youth”. Imagine that pressure multiplied by about a thousand when the artist in question has already headlined Glastonbury and won more awards than you can fit in a trophy cabinet, let alone on a mantelpiece.If that was the opening salvo, ‘Audacity’ featuring Closing the album is first single ‘Vossi Bop’, and with the album dropping on 13th December - the day after the general election - giving the middle finger to Boris Johnson has never been timelier.‘Heavy is the Head’ absolutely hits it out of the park. The versatility on show gives a sheen of adventurousness that isn’t quite backed up by the beat selections—the majority of which feel like safe choices for an artist otherwise known for his accelerated ambitions. And while Much like the recent review of fellow hip-hop star Chance The Rapper's latest release on this website, Stormzy's new album would have got a much higher rating based on musicality alone but it's the continual stream of swearing that dominates and overshadows proceedings here. Reviews; Album Reviews; Stormzy – ‘Heavy Is The Head’ review: a broad-reaching, genre-buckling romp. At the root of Stormzy’s appeal, as well as his authenticity, is a charismatic swagger. The milage in someone admitting culpability for the end of a relationship on a (soon to be) Platinum-selling album may depend on the listener, but lines such as It’s remarkable that at point in his career, where Stormzy can reasonably assert himself as the Next Big Thing and the greatest to ever do it, he takes time to admit there’s a pressure with the position. It’s something he pokes at in the opening bars of the album—“Can’t tell where I’m heading,” he brags half-heartedly—but he arguably never finds an answer. “I am not the poster boy for mental health,” he spits on “One Second,” referring to an “Lessons” is the album’s most tender moment, but arguably its most problematic. 16 tracks might seem like a lot, but when almost every one is a classic, it’s so hard to care. As always, the health and safety of Stormzy fans is of paramount importance to him.

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