Tim has played with musicians like Bennie Green, Hans Dulfer, Lew Tabackin, Ray Drummond, Jon Mayer, Greg Bandy, James Gadson, Don Patterson, Billy James, Major Holley, Alan Dawson, Bill Doggett, Jack Mc Duff, Cecil Payne, Richie Cole, Charlie Watts from the Rolling Stones, Gary Burton, Doc Severinson, Dr. John, Lew Tabackin, Charlie Mariano, Shirly Scott, Trudy Pitts, Bootsie Barnes, Sonny Stitt, Ernie Krivda, Rachel Z, Larry Young,George Young, Sweet Sue Terry, Greg Piccolo & Super Heavy Juice and Claire Daly.
It’s going to give you more power, more edge and more altissimo. The POWER RING ligature simply allowed the reed to vibrate more and I noticed a faster response as well as more overall timbre/color to the sound. Personally, I still prefer various mouthpieces whether hard rubber or metal that are designed more towards a vintage Meyer because I prefer the overall response and characteristics to that sound. We have updated our cookie policy to reflect changes in the law on cookies and tracking technologies used on the website, such as Google Analytics. I count on him as friend and mentor, and I only wish he would come and live in Holland so I could bother him every day with all questions relating to saxophones and music.”“Tim’s unique approach to playing combined with his passion and enthusiasm copel you to listen to him. He feels that was a great proving ground for a young saxophone player and something that is really missing today. Not only does he posses incredible talent and a vast amount of knowledge, he’s willing to share it with other people, which is rare. It’s going to give you more power, more edge and more altissimo. site8skuJ49888000001000 site8prodJ49888 J49888 site8skuJ49888000001000,site8skuJ49888000004000,site8skuJ49888000005000,site8skuJ49888000002000,site8skuJ49888000006000 JodyJazz SUPER JET Alto Saxophone Mouthpiece Skip to main content Skip to footer Tim has played with every major organ player except Jimmy Smith.

But as with all of our mouthpieces, it is beautifully free-blowing with enough bottom in the sound to make it more versatile than many mouthpieces in this category of small chamber mouthpieces.

With that being said, the JodyJazz HR model would suit me better than the SUPER JET. Price’s writing on jazz and the saxophone appears regularly in the Saxophone Journal, he has been a featured writer for that publication for over 18 years.In addition to being the recipient of a Pennsylvania Council on the arts fellowship jazz grant five times!

I will be reviewing the SUPER JET alto metal mouthpiece based on tone, response, intonation, build quality, and my overall thoughts as well as reviewing the JodyJazz POWER RING ligature.The SUPER JET, “is a Silver-Plated brass mouthpiece that was developed specifically with the Smooth Jazz, Rock, and Funk player in Mind. “The SUPER JET Tenor 8* is so off the hook and great!

!His saxophone books are published through Hal Leonard. I found the SUPER JET played well dynamically and could really cut thru with it’s overall brightness and projection.The intonation was good overall on the SUPER JET but compared to my current setup, I found that I needed to push this mouthpiece further down my cork to play in tune. Check his Skype information here; http://www.timpricejazz.com/skype2.htmlMr. Personally, I still prefer various mouthpieces whether hard rubber or metal that are designed more towards a vintage Meyer because I prefer the overall response and characteristics to that sound. Tim’s bassoon has been a part of the Lawrence “Butch” Morris Orchestra at the 2004 “Vision Festival” in New York City.He loved the soul and rock gigs he’s played with Aretha Franklin, Billy Paul, The 5th Dimension, Lou Christie, Lloyd Price, Four Tops, Ike Turner, Lynyrd Skynyrd and many others from that idiom.Some people might find this facet interesting considering that when Tim left Berklee he went on the road playing the jazz organ bar circuit.

Boom!”“The freedom of expression and ability to let me create the sound I hear in my mind is paramount with JodyJazz mouthpieces. Check them out!Tim played the NORTH SEA JAZZ FESTIVAL in Holland in July 2002, as well as many radio shows and clubs with Dutch tenor sax player Hans Dulfer.

The increased mass and greater wall thickness of the new POWER RING ligature, together with its more contoured shape, provides a more solid contact with the reed at the points where they touch. The New POWER RING features a concave inner design which reduces the touch points on the reed thereby maximizing reed vibration. My main recommendation if you are considering this ligature for your setup is to make sure it fits properly and is not too tight nor too loose.I would like to thank Colin Schofield at JodyJazz for sending me the JodyJazz SUPER JET and POWER RING ligature to test play on alto saxophone and would be curious to see if JodyJazz decides to make a metal SUPER JET for tenor as well. I found the SUPER JET was clean and even and I did not notice any blemishes, miss-cuts, mis-alignment or un-evenness while inspecting this mouthpiece.The Jody Jazz SUPER JET alto mouthpiece is very much tailored towards those players looking for a mouthpiece that is bright, responds very quickly, and really projects. He always surprises me with his inventiveness.

JodyJazz has continued to expand upon it’s line of saxophone mouthpieces over the years and most recently has introduced a new model called the SUPER JET.

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